Fyodor Telkov
View №26 | 36 Views Series
Photography
View №26 | 36 Views Series
ABOUT
From the series 36 Views
Thirty-six Views of Mount Fuji is a well-known series of color woodblock prints by Japanese artist Katsushika Hokusai. There is Fujiyama – the sacred mountain of Japan — in every image of this series.
Degtyarsk is a town in the Sverdlovsk Region with a population of about 14 000 people. Once a prosperous mining town today it is dependent on the Region’s subsidy. Towering over the opposite ends of the town there are two colossal waste piles – heaps of dead rock from Kapitalnaya 1 and Kapitalnaya 2 mines. The once-successful town-forming copper mining enterprise has left the town in the state of environmental disaster: wastewaters from the mines still poison soil and water supply, and the waste piles have a high level of radiation background. Besides one can hardly find a former miner in the town due to the extreme health hazard of copper mining. There is a town legend in Degtyarsk saying that some time ago Japanese wanted to buy the waste piles but the town said no explaining that they are the ‘strategic stockpile’.
The waste piles can be seen from almost any point in Degtyarsk, they dominate the town with the people’s lives running at their foot. The waste piles are a metaphor for the post-Soviet economy and today’s state of the one-factory towns scattered throughout the country.
Hahnemühle Photo Rag 310g | 100% Cotton
Bright White Matt | Acid Free | Archival Pigment Print
20 x 30 cm | Edition of 10 + 2AP
53 x 80 cm | Edition of 10 + 2AP
73 x 110 cm | Edition of 10 + 2AP
30 x 20 cm:
Full Bleed: 31,56 x 21,56 x 2,59 cm
Matted: 46,56 x 31,56 x 2,59 cm
60 x 40 cm:
Full Bleed: 61,56 x 41,56 x 2,59 cm
Matted: 71,56 x 51,96 x 2,59 cm
The work comes with a Certification of Authenticity signed and numbered by the artist
DESCRIPTION
From the series 36 Views
Thirty-six Views of Mount Fuji is a well-known series of color woodblock prints by Japanese artist Katsushika Hokusai. There is Fujiyama – the sacred mountain of Japan — in every image of this series.
Degtyarsk is a town in the Sverdlovsk Region with a population of about 14 000 people. Once a prosperous mining town today it is dependent on the Region’s subsidy. Towering over the opposite ends of the town there are two colossal waste piles – heaps of dead rock from Kapitalnaya 1 and Kapitalnaya 2 mines. The once-successful town-forming copper mining enterprise has left the town in the state of environmental disaster: wastewaters from the mines still poison soil and water supply, and the waste piles have a high level of radiation background. Besides one can hardly find a former miner in the town due to the extreme health hazard of copper mining. There is a town legend in Degtyarsk saying that some time ago Japanese wanted to buy the waste piles but the town said no explaining that they are the ‘strategic stockpile’.
The waste piles can be seen from almost any point in Degtyarsk, they dominate the town with the people’s lives running at their foot. The waste piles are a metaphor for the post-Soviet economy and today’s state of the one-factory towns scattered throughout the country.
Hahnemühle Photo Rag 310g | 100% Cotton
Bright White Matt | Acid Free | Archival Pigment Print
20 x 30 cm | Edition of 10 + 2AP
53 x 80 cm | Edition of 10 + 2AP
73 x 110 cm | Edition of 10 + 2AP
30 x 20 cm:
Full Bleed: 31,56 x 21,56 x 2,59 cm
Matted: 46,56 x 31,56 x 2,59 cm
60 x 40 cm:
Full Bleed: 61,56 x 41,56 x 2,59 cm
Matted: 71,56 x 51,96 x 2,59 cm
The work comes with a Certification of Authenticity signed and numbered by the artist
DIMENSIONS
From the series 36 Views
Thirty-six Views of Mount Fuji is a well-known series of color woodblock prints by Japanese artist Katsushika Hokusai. There is Fujiyama – the sacred mountain of Japan — in every image of this series.
Degtyarsk is a town in the Sverdlovsk Region with a population of about 14 000 people. Once a prosperous mining town today it is dependent on the Region’s subsidy. Towering over the opposite ends of the town there are two colossal waste piles – heaps of dead rock from Kapitalnaya 1 and Kapitalnaya 2 mines. The once-successful town-forming copper mining enterprise has left the town in the state of environmental disaster: wastewaters from the mines still poison soil and water supply, and the waste piles have a high level of radiation background. Besides one can hardly find a former miner in the town due to the extreme health hazard of copper mining. There is a town legend in Degtyarsk saying that some time ago Japanese wanted to buy the waste piles but the town said no explaining that they are the ‘strategic stockpile’.
The waste piles can be seen from almost any point in Degtyarsk, they dominate the town with the people’s lives running at their foot. The waste piles are a metaphor for the post-Soviet economy and today’s state of the one-factory towns scattered throughout the country.
Hahnemühle Photo Rag 310g | 100% Cotton
Bright White Matt | Acid Free | Archival Pigment Print
20 x 30 cm | Edition of 10 + 2AP
53 x 80 cm | Edition of 10 + 2AP
73 x 110 cm | Edition of 10 + 2AP
30 x 20 cm:
Full Bleed: 31,56 x 21,56 x 2,59 cm
Matted: 46,56 x 31,56 x 2,59 cm
60 x 40 cm:
Full Bleed: 61,56 x 41,56 x 2,59 cm
Matted: 71,56 x 51,96 x 2,59 cm
The work comes with a Certification of Authenticity signed and numbered by the artist
FRAMED DIMENSIONS
From the series 36 Views
Thirty-six Views of Mount Fuji is a well-known series of color woodblock prints by Japanese artist Katsushika Hokusai. There is Fujiyama – the sacred mountain of Japan — in every image of this series.
Degtyarsk is a town in the Sverdlovsk Region with a population of about 14 000 people. Once a prosperous mining town today it is dependent on the Region’s subsidy. Towering over the opposite ends of the town there are two colossal waste piles – heaps of dead rock from Kapitalnaya 1 and Kapitalnaya 2 mines. The once-successful town-forming copper mining enterprise has left the town in the state of environmental disaster: wastewaters from the mines still poison soil and water supply, and the waste piles have a high level of radiation background. Besides one can hardly find a former miner in the town due to the extreme health hazard of copper mining. There is a town legend in Degtyarsk saying that some time ago Japanese wanted to buy the waste piles but the town said no explaining that they are the ‘strategic stockpile’.
The waste piles can be seen from almost any point in Degtyarsk, they dominate the town with the people’s lives running at their foot. The waste piles are a metaphor for the post-Soviet economy and today’s state of the one-factory towns scattered throughout the country.
Hahnemühle Photo Rag 310g | 100% Cotton
Bright White Matt | Acid Free | Archival Pigment Print
20 x 30 cm | Edition of 10 + 2AP
53 x 80 cm | Edition of 10 + 2AP
73 x 110 cm | Edition of 10 + 2AP
30 x 20 cm:
Full Bleed: 31,56 x 21,56 x 2,59 cm
Matted: 46,56 x 31,56 x 2,59 cm
60 x 40 cm:
Full Bleed: 61,56 x 41,56 x 2,59 cm
Matted: 71,56 x 51,96 x 2,59 cm
The work comes with a Certification of Authenticity signed and numbered by the artist
PRINTS
Our prints are produced exclusively on archival Hahnemühle Photo Rag papers. This acid- and lignin-free paper meets the most exacting requirements for age resistance and is specially designed for FineArt applications.
FRAMING
All prints are offered with Alpha Nielsen frames. They are made of aluminum with veneered real wood surface and normal glass offering quality and design for the highest demands.
- Floating glass
- Deposit of acid-free paper (200 g)
- Stable MDF back wall with springs and hangers
- Extra strong corner joint
- Adjustable hanger with height-adjustable wall hanger
FULL BLEED
A full bleed image extends to the edges of the printing paper, so that the photograph completely covers the page and does not show borders or white space around the edges.
MATTED
The mat is a piece of cardboard placed over your photograph to serve as a frame.
ACID FREE
We archive, package and frame your prints entirely acid free. Acid-free materials protect your artwork from yellowing and aging.
Shipping
Shipping rates are calculated by the size of the package, and shipped via DHL. Please reach out to info@eepberlin.org for any specific shipping and handling questions.
Orders ship within 14 business days.
Returns
We are dedicated to providing you with realistic descriptions and visuals of the artwork featured on our site. However, if you are displeased with your acquisition please email us at info@eepberlin.org. We’ll gladly offer you a refund. The cancellation period is 14 days from receipt of the goods according to § 355 BGB.
If your works arrive damaged, please ensure EEP Berlin is notified within 14 days of delivery.
'When I was a child, I often traveled to the old past in my dreams, to those days, that are gone for good, thus impossible to experience. All that was left was to imagine. As a photographer, I became interested in looking for peculiar wormholes, the parallel worlds, societies, where time and history seemed to be frozen. From this point of view, I explore local territories and find it exciting when the past, fairy tales or myths suddenly come up through the surface of well-known reality.'
Featured
Featured artwork by Fyodor Telkov
