'I wouldn’t want my photos to be read superficially, so that the mind would cling to a familiar link and say ‘Okay, now everything is clear.’ I don’t want everything to be clear, I don’t want it to be understandable, because you can understand something only with your mind, and I want the viewer to turn it off and feel.'

'In my adolescence, I used to imitate the behavior and appearance of other people. I do not do it anymore. I've reconciled with myself, but I still have to spend a lot of time alone to feel well and to properly connect with my inner self.'

'All my projects resonate with my life especially strong at a certain point, simply because they usually take years of work. And this is a so-called 'immersive' shooting process when you observe the context from the inside. '

'There’s a characteristic sense of self-consciousness when we look at things that are outside of our idealized world of perfection as it has been formulated by the media, where there’s little room for people’s true stories, their bodies, emotions, where showing your true self is often considered a sign of weakness. I like to make the viewer feeling a bit uncomfortable and observing their reaction.'

'I feel very attracted to the idea of memories. My own, other people’s, places that have that 'look' when you feel certain electricity in the air and you know that significant events have taken place there. Even if they are not historically significant, most certainly they are personally significant to someone.'