Karén Khachaturov
Untitled | The Factory Series
Photography
Untitled | The Factory Series
ABOUT
Karén Khachaturov is an Armenian artist, who often uses commercial colors and pop surrealistic entourages to open up a conversation about the digital era. In his pastel-colored universe the objects seem to stay the same but have lost their primal essence. His works focus on our modern sense of alienation and loss of empirical experience. In most of his works, the heroes are half people half objects, who look senseless and bored from alienated communication and mass cultivated individualism, which as a result have turned them into good looking objects lacking any actual characteristics or senses.
Hahnemühle Photo Rag 308g | 100% Cotton
Bright White Matt | Acid Free | Archival Print 2018
30 x 20 cm | Edition of 20+2
60 x 80 cm | Edition of 12+2
30 x 20 cm:
Full Bleed: 31,56 x 21,56 x 2,59 cm
Matted: 46,56 x 31,56 x 2,59 cm
60 x 40 cm:
Full Bleed: 61,56 x 41,56 x 2,59 cm
Matted: 71,56 x 51,96 x 2,59 cm
The work comes with a Certification of Authenticity signed and numbered by the artist
The work comes with a Certification of Authenticity signed and numbered by the artist
DESCRIPTION
Karén Khachaturov is an Armenian artist, who often uses commercial colors and pop surrealistic entourages to open up a conversation about the digital era. In his pastel-colored universe the objects seem to stay the same but have lost their primal essence. His works focus on our modern sense of alienation and loss of empirical experience. In most of his works, the heroes are half people half objects, who look senseless and bored from alienated communication and mass cultivated individualism, which as a result have turned them into good looking objects lacking any actual characteristics or senses.
Hahnemühle Photo Rag 308g | 100% Cotton
Bright White Matt | Acid Free | Archival Print 2018
30 x 20 cm | Edition of 20+2
60 x 80 cm | Edition of 12+2
30 x 20 cm:
Full Bleed: 31,56 x 21,56 x 2,59 cm
Matted: 46,56 x 31,56 x 2,59 cm
60 x 40 cm:
Full Bleed: 61,56 x 41,56 x 2,59 cm
Matted: 71,56 x 51,96 x 2,59 cm
The work comes with a Certification of Authenticity signed and numbered by the artist
The work comes with a Certification of Authenticity signed and numbered by the artist
DIMENSIONS
Karén Khachaturov is an Armenian artist, who often uses commercial colors and pop surrealistic entourages to open up a conversation about the digital era. In his pastel-colored universe the objects seem to stay the same but have lost their primal essence. His works focus on our modern sense of alienation and loss of empirical experience. In most of his works, the heroes are half people half objects, who look senseless and bored from alienated communication and mass cultivated individualism, which as a result have turned them into good looking objects lacking any actual characteristics or senses.
Hahnemühle Photo Rag 308g | 100% Cotton
Bright White Matt | Acid Free | Archival Print 2018
30 x 20 cm | Edition of 20+2
60 x 80 cm | Edition of 12+2
30 x 20 cm:
Full Bleed: 31,56 x 21,56 x 2,59 cm
Matted: 46,56 x 31,56 x 2,59 cm
60 x 40 cm:
Full Bleed: 61,56 x 41,56 x 2,59 cm
Matted: 71,56 x 51,96 x 2,59 cm
The work comes with a Certification of Authenticity signed and numbered by the artist
The work comes with a Certification of Authenticity signed and numbered by the artist
FRAMED DIMENSIONS
Karén Khachaturov is an Armenian artist, who often uses commercial colors and pop surrealistic entourages to open up a conversation about the digital era. In his pastel-colored universe the objects seem to stay the same but have lost their primal essence. His works focus on our modern sense of alienation and loss of empirical experience. In most of his works, the heroes are half people half objects, who look senseless and bored from alienated communication and mass cultivated individualism, which as a result have turned them into good looking objects lacking any actual characteristics or senses.
Hahnemühle Photo Rag 308g | 100% Cotton
Bright White Matt | Acid Free | Archival Print 2018
30 x 20 cm | Edition of 20+2
60 x 80 cm | Edition of 12+2
30 x 20 cm:
Full Bleed: 31,56 x 21,56 x 2,59 cm
Matted: 46,56 x 31,56 x 2,59 cm
60 x 40 cm:
Full Bleed: 61,56 x 41,56 x 2,59 cm
Matted: 71,56 x 51,96 x 2,59 cm
The work comes with a Certification of Authenticity signed and numbered by the artist
The work comes with a Certification of Authenticity signed and numbered by the artist
PRINTS
Our prints are produced exclusively on archival Hahnemühle Photo Rag papers. This acid- and lignin-free paper meets the most exacting requirements for age resistance and is specially designed for FineArt applications.
FRAMING
All prints are offered with Alpha Nielsen frames. They are made of aluminum with veneered real wood surface and normal glass offering quality and design for the highest demands.
- Floating glass
- Deposit of acid-free paper (200 g)
- Stable MDF back wall with springs and hangers
- Extra strong corner joint
- Adjustable hanger with height-adjustable wall hanger
FULL BLEED
A full bleed image extends to the edges of the printing paper, so that the photograph completely covers the page and does not show borders or white space around the edges.
MATTED
The mat is a piece of cardboard placed over your photograph to serve as a frame.
ACID FREE
We archive, package and frame your prints entirely acid free. Acid-free materials protect your artwork from yellowing and aging.
Shipping
Shipping rates are calculated by the size of the package, and shipped via DHL. Please reach out to info@eepberlin.org for any specific shipping and handling questions.
Orders ship within 14 business days.
Returns
We are dedicated to providing you with realistic descriptions and visuals of the artwork featured on our site. However, if you are displeased with your acquisition please email us at info@eepberlin.org. We’ll gladly offer you a refund. The cancellation period is 14 days from receipt of the goods according to § 355 BGB.
If your works arrive damaged, please ensure EEP Berlin is notified within 14 days of delivery.
These colors, I love these colors. Because they are a part of utopia and all these missing heads part of dystopia.
