The casting from a mold gains a new shape that for a long time existed only as a possibility, it is similar to when a newly planted tree grows from a hole which forms and deforms its roots. Layers of paint, as well as lace curtains, prevent us from seeing that which would like to force its way to the surface. That “something” which remains partially hidden, is one of the motives of works by both artists connected with the Memory and Desire, Stirring exhibition.

The video artwork shows Ukrainian landscapes seen by refugees fleeing the full-scale war. It consists of 12 video screens that capture real-time landscapes, starting from the frontline cities to the stiller West part.

Ukrainian. Photographies and Open Gallery in partnership with Liverpool City Region, are working on a massive programme about Ukrainian photography for EuroFestival, which will take over Liverpool in the lead-up to The Eurovision Song Contest. The showcase will include projects of 21 Ukrainian photographers, contributing to the visibility of Ukrainian culture, highlighting the various approaches to photography and telling stories about Ukraine to such a broad audience.

Looking at ways to (re)position the Balkans, in relation to the Non-Aligned Movement, Bayryamali and Viskovic will explore topics such as Yugocentrism in relation to the broad history of the movement, and open up critical ways to talk about big ideas, global dreams and counterfactual 'unworlding' through texts sourced by the Assembly and The Mosaic Rooms’ Bookshop.